Even before 2004 we were having successful concerts!  Here are some highlights:

  • American Quilt.  May 2003.  Pieces involving quilt-like juxtapositions. A medieval mystical text unexpectedly set over a repeated scat pattern, or to vibraphone and marimba accompaniment. Familiar folk songs with interpolated lyrics, or even a no-holds-barred swing piano accompaniment. Blues rhythm and canonic counterpoint, not often found on the same program, coexisting in the same piece. The result wass a vibrant and engaging repertoire, most enjoyable for us to prepare.
  • Seasons of Her Life May 2002. Music illustrating just that, including "The Harp Weaver", Elinor Remick Warren's musical adaptation of Edna St. Vincent Millay's 1922 Pulitzer Prize-winning poem.
  • In My Mother's House February 2002. Songs about the Virgin Mary, and songs about "other" mothers, including "Nancy Hanks" by Katherine K. Davis, and the Triangle area premiere of Lana Walter's "Magnificat".
  • Where There Is Love May 2001. Music expressing different aspects of love, including "Three Flower Songs" by Amy Beach, and "Mag auch heiss das Scheiden brennen" by Mary Wurm.
  • Songs of the City February 2001. The Triangle area premiere of Gwyneth Walker's "My Girls", on texts by the African-American poet Lucille Clifton.
  • A Room of Her Own September 2000. Music honoring the times and places women have found to compose or to sing music together, including an arrangement by Amy Beach of Oliver Wendell Holmes' poem "The Chambered Nautilus", pieces by Hildegard of Bingen and Ysaye Barnwell (of Sweet Honey in the Rock), and an audience sing-a-long of "The March of the Women", a suffrage song, by Dame Ethel Smyth.
  • Pacific Rim: A Farewell to Old England Forever May 2000. Our first commissioned piece: "Magnificat 'Regina coeli'" by Katherine Dienes of New Zealand, as well as "Past Life Melodies" by Sarah Hopkins and Helen Caskie's "Three New Zealand Country Songs".
  • Promised Land: Music for Passover and Easter May 1999. "Go Down, Moses" and other spirituals by Marylou India Jackson, three sections of Lana Walter's "Petite Mass", and music by Katherine Dienes*.
  • Music for a New World January 1999
  • Music Hath Charms May 1998
  • Lilith, Diana, Mary January 1998
  • Wade in the Water: Spirituals and other Music May 1997. Including "Dream Song" by Mabel Wheeler Daniels.
  • Christmas Concert December 1996
  • Cradle of Fire: Women's Experiences of War June 1996. Ranked by Spectator magazine as one of the Triangle's ten best classical concerts of 1996. Included "The Captives' Hymn" and "Largo from Dvorak's New World Symphony" by Margaret Dryburgh.
  • Vivaldi Magnificat January 1996
  • Mystery, Madness, Nonsense May 1995
  • Votes for Women January 1995. Revivals of songs from the women's suffrage movement, including "Votes for Women" by Mary Louise Carlton, and "Three March-songs" by Adelaide Thomas.
  • Spring concert May 1994. "Three Shakespeare Songs*" by Amy Beach and spirituals arranged by Mary Lou India Jackson.
  • Images of Women in Music January 1994. "March of the Women*" and "Laggard Dawn" by Ethel Smyth, and "Les sirenes" by Lili Boulanger. 

 

 


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